{"id":5587,"date":"2018-09-14T15:02:50","date_gmt":"2018-09-14T18:02:50","guid":{"rendered":"http:\/\/mixbrasil.org.br\/22\/?p=5587"},"modified":"2018-09-14T15:02:50","modified_gmt":"2018-09-14T18:02:50","slug":"a-geladeira","status":"publish","type":"post","link":"https:\/\/acervo.mixbrasil.org.br\/22\/a-geladeira\/","title":{"rendered":"A Geladeira"},"content":{"rendered":"<table>\n<tbody>\n<tr>\n<td>\n<table style=\"width: 704px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td style=\"width: 214px;\" valign=\"top\">\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td valign=\"top\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2014\/images\/foto_fail.gif\" alt=\"\" width=\"240\" height=\"160\" border=\"0\" \/><\/td>\n<\/tr>\n<tr>\n<td height=\"20\"><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<td style=\"width: 454px;\" valign=\"top\">\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td valign=\"top\"><span class=\"tit\">A Geladeira<\/span><br \/>\n<span class=\"dst\"><i><b>The Refrigerator<\/b><\/i><\/span><br \/>\n50&#8242;<br \/>\n<span class=\"rdz_link\">Teatro<\/span><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2014\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Um homem acorda na manh\u00e3 de seu 50\u00ba anivers\u00e1rio e encontra uma geladeira no meio da sala. A partir dela \u201cL\u201d v\u00ea saltar de seu passado figuras como a m\u00e3e, a empregada, a psicanalista, seu c\u00e3o e at\u00e9 um rato que mora em seu arm\u00e1rio. Todos representados por um \u00fanico ator. O argentino Copi &#8211; pseud\u00f4nimo de Ra\u00fal Damonte Botana (1939-1987) \u00e9 um dos autores mais inventivos da dramaturgia latina contempor\u00e2nea. Nesta pe\u00e7a, marcada pelo humor surrealista, ele mostra a exist\u00eancia humana em pleno tr\u00e2nsito. Os pap\u00e9is sociais e a sexualidade se recusam a fixar-se em um \u00fanico lugar.<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2014\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><i>A man wakes up the morning of his 50th birthday and finds a refrigerator in the middle of the room. From her &#8220;L&#8221; sees jump from her past figures as the mother, the maid, the female psychoanalyst, his dog and even a mouse that lives in his closet. All of them are represented by a single actor. The Argentinian Copi \u2013 pseudonym of Ra\u00fal Damonte Botana (1939-1987) \u2013 is one of the most inventive authors of the contemporary Latin dramaturgy. In this play, marked by surreal humor, he shows the human existence in traffic. Social roles and sexuality refuse to settle in one place.<\/i><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2014\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Ficha T\u00e9cnica:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2014\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><br \/>\nAutor: Copi Dire\u00e7\u00e3o: Nelson Baskerville Assistente de Dire\u00e7\u00e3o: Thais Medeiros Assistente de Movimento: Erika Puga Elenco: Fernando Fecchio Figurino: Marichilene Artisevskis Cen\u00e1rio:Amanda Viera e Nelson Baskerville Aderecista: Amanda Vieira Ilumina\u00e7\u00e3o: Wagner Freire Visagismo : Emi Sato Trilha Sonora: Daniel Maia e Nelson Baskerville Assistente T\u00e9cnico: Felipe J\u00f3ia Apoio Te\u00f3rico: Renata Pimentel Produ\u00e7\u00e3o: Fernando de Marchi &#8211; De Marchi Produ\u00e7\u00f5es Realiza\u00e7\u00e3o: Centro Cultural S\u00e3o Paulo<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2014\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Programa\u00e7\u00e3o:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2014\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><\/p>\n<ul>\n<li style=\"list-style-type: none\">\n<ul>22\/11 \u00bb S\u00c1BADO SATURDAY \u00bb CCSP \u00bb Sala Jardel Filho &#8211; 21h<\/ul>\n<\/li>\n<\/ul>\n<ul>23\/11 \u00bb DOMINGO SUNDAY \u00bb CCSP \u00bb Sala Jardel Filho &#8211; 20h<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>A Geladeira The Refrigerator 50&#8242; Teatro Um homem acorda na manh\u00e3 de seu 50\u00ba anivers\u00e1rio e encontra uma geladeira no meio da sala. A partir dela \u201cL\u201d v\u00ea saltar de seu passado figuras como a m\u00e3e, a empregada, a psicanalista, seu c\u00e3o e at\u00e9 um rato que mora em seu arm\u00e1rio. Todos representados por um &hellip;<\/p>\n","protected":false},"author":3,"featured_media":5549,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30,35],"tags":[],"class_list":["post-5587","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-teatro","category-teatro-teatro"],"_links":{"self":[{"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/posts\/5587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/comments?post=5587"}],"version-history":[{"count":1,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/posts\/5587\/revisions"}],"predecessor-version":[{"id":5588,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/posts\/5587\/revisions\/5588"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/media\/5549"}],"wp:attachment":[{"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/media?parent=5587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/categories?post=5587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/tags?post=5587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}