{"id":5578,"date":"2018-09-14T14:45:51","date_gmt":"2018-09-14T17:45:51","guid":{"rendered":"http:\/\/mixbrasil.org.br\/22\/?p=5578"},"modified":"2018-09-14T14:45:51","modified_gmt":"2018-09-14T17:45:51","slug":"mua","status":"publish","type":"post","link":"https:\/\/acervo.mixbrasil.org.br\/22\/mua\/","title":{"rendered":"MUA"},"content":{"rendered":"<table>\n<tbody>\n<tr>\n<td>\n<table style=\"width: 700px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td style=\"width: 326px;\" valign=\"top\">\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td valign=\"top\"><img decoding=\"async\" src=\"https:\/\/farm4.staticflickr.com\/3939\/15580962481_6792ee29e9.jpg\" alt=\"Mu\u00e1\" width=\"500\" \/><\/td>\n<\/tr>\n<tr>\n<td height=\"20\"><\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<td style=\"width: 342px;\" valign=\"top\">\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td valign=\"top\"><span class=\"tit\">MUA<\/span><br \/>\n<span class=\"dst\"><i><b>MUA<\/b><\/i><\/span><br \/>\n<span class=\"rdz_link\">Performance<\/span><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2014\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Ativamos o beijo como dispositivo investigativo para uma desprograma\u00e7\u00e3o da performatividade dos corpos, atrav\u00e9s da afecta\u00e7\u00e3o produzida pelo contato entre corpos e coisas. Ao performa-lo \u00e9 produzida esteticamente uma dobra surrealista, permitindo o acesso \u00e0quela subjetividade oculta, sobreposta por camadas de formalismos cotidianos.<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2014\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><i>We activate the kiss as an investigative device for deprogramming the performativity of bodies, through the affectation produced by the contact between bodies and things. When it is performed, a surrealist fold is aesthetically produced, allowing access to that hidden subjectivity, overlapped by layers of everyday formalisms.<\/i><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2014\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Ficha T\u00e9cnica:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2014\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><br \/>\nAlzira Incendi\u00e1ria, Ana Carolina Pires, Caio C\u00e9sar, Daniel Barra, Iratan Gomes, Luiz Gustavo Lopes, Rafael Amambahy, Serguei Dias, Teresa Moura Neves e Yuri Tripodi<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2014\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Programa\u00e7\u00e3o:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2014\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><\/p>\n<ul>13\/11 \u00bb QUINTA THURSDAY \u00bb CCSP \u00bb CENTRO CULTURAL S\u00c3O PAULO \u00bb Mua (PERFORMANCE)<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>MUA MUA Performance Ativamos o beijo como dispositivo investigativo para uma desprograma\u00e7\u00e3o da performatividade dos corpos, atrav\u00e9s da afecta\u00e7\u00e3o produzida pelo contato entre corpos e coisas. Ao performa-lo \u00e9 produzida esteticamente uma dobra surrealista, permitindo o acesso \u00e0quela subjetividade oculta, sobreposta por camadas de formalismos cotidianos. We activate the kiss as an investigative device for &hellip;<\/p>\n","protected":false},"author":3,"featured_media":5579,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[34,30],"tags":[],"class_list":["post-5578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-performance","category-teatro"],"_links":{"self":[{"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/posts\/5578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/comments?post=5578"}],"version-history":[{"count":1,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/posts\/5578\/revisions"}],"predecessor-version":[{"id":5580,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/posts\/5578\/revisions\/5580"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/media\/5579"}],"wp:attachment":[{"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/media?parent=5578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/categories?post=5578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/22\/wp-json\/wp\/v2\/tags?post=5578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}