{"id":5099,"date":"2018-08-31T15:38:16","date_gmt":"2018-08-31T18:38:16","guid":{"rendered":"http:\/\/mixbrasil.org.br\/21\/?p=5099"},"modified":"2018-08-31T15:38:16","modified_gmt":"2018-08-31T18:38:16","slug":"tatuagem","status":"publish","type":"post","link":"https:\/\/acervo.mixbrasil.org.br\/21\/tatuagem\/","title":{"rendered":"Tatuagem"},"content":{"rendered":"<table>\n<tbody>\n<tr>\n<td>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td valign=\"top\"><span class=\"tit\">Tatuagem<\/span><br \/>\n<span class=\"dst\"><i><b>Tatto<\/b><\/i><\/span><br \/>\nBrasil\u00a0|\u00a02013\u00a0|\u00a0110<br \/>\nDiretor | Director\u00a0<b>Hilton Lacerda<\/b><br \/>\n<span class=\"rdz_link\">Panorama Nacional<\/span><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\">Brasil, 1978. A ditadura militar, ainda atuante, mostra sinais de esgotamento. Em um teatro\/cabar\u00e9, localizado na periferia entre duas cidades do Nordeste do Brasil, um grupo de artistas provoca o poder e a moral estabelecida com seus espet\u00e1culos e interfer\u00eancias p\u00fablicas. Liderado por Cl\u00e9cio Wanderley, a trupe conhecida como Ch\u00e3o de Estrelas, juntamente com intelectuais e artistas, al\u00e9m de seu tradicional p\u00fablico de homossexuais, ensaiam resist\u00eancia pol\u00edtica a partir do deboche e da anarquia. A vida de Cl\u00e9cio muda ao conhecer Fininha, apelido do soldado Arlindo Ara\u00fajo, 18 anos: um garoto do interior que presta servi\u00e7o militar na capital. \u00c9 esse encontro que estabelece a transforma\u00e7\u00e3o de nosso filme para os dois universos. A aproxima\u00e7\u00e3o cria uma marca que nos lan\u00e7a no futuro, como tatuagem: signo que carregamos junto com nossa hist\u00f3ria.<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\"><i>Brazil, 1978. Military dictartorship, still active, presents signs of exhaustion. In a theatre\/cabaret in the suburbs between two cities in Northern Brazil, a group of artists affront the power and the moral established with their presentations and public interferences. Leaded by Cl\u00e9cio Wanderley, the group known as Ch\u00e3o de Estrelas [Floor of Stars], with intellectual people and artists, besides its traditional public of homosexuals, make rehearsals using debauchery and anarchy. Cl\u00e9cio&#8217;s life changes when he meets Fininha, nickname for the 18-year-old soldier Arlindo Ara\u00fajo: a boy from a small city who works in military service in the capital. This meeting establishes the transformation of the film to both universes. The aproach creates a mark which projects us into the future as a tattoo: sign that we take with our story.<\/i><\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Ficha T\u00e9cnica:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><br \/>\nELENCO Irandhir Santos, Jesu\u00edta Barbosa, Rodrigo Garc\u00eda, S\u00edlvio Restiffe, Sylvia Prado | ROTEIRO Hilton Lacerda | FOTOGRAFIA Ivo Lopes Ara\u00fajo | MONTAGEM Mair Tavares | M\u00daSICA DJ Dolores | PRODU\u00c7\u00c3O Jo\u00e3o Vieira Jr., Chico Ribeiro, Ofir Figueiredo<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Filmografia do Diretor:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><br \/>\n2007 Cartola &#8211; M\u00fasica Para os Olhos<\/td>\n<\/tr>\n<tr>\n<td width=\"100%\" height=\"20\">\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td width=\"100%\" height=\"1\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"1\" border=\"0\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<tr>\n<td class=\"rdz\" valign=\"top\"><b><i>Programa\u00e7\u00e3o:<\/i><\/b><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/anteriores.mixbrasil.org.br\/2013\/images\/spacer.gif\" alt=\"\" width=\"1\" height=\"3\" border=\"0\" \/><\/p>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>10 de Novembro \/ Domingo &#8211; CineSesc &#8211; 22h &#8211; Tatuagem (Panorama Nacional), Brasil, 110\u2019<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li>14 de Novembro \/ Quinta-feira &#8211; Espa\u00e7o Itau de Cinema &#8211; 20h &#8211; Tatuagem (Panorama Nacional), Brasil, 110\u2019<\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-5100\" src=\"http:\/\/mixbrasil.org.br\/21\/wp-content\/uploads\/2018\/08\/9936194845_64047b80d4-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/acervo.mixbrasil.org.br\/21\/wp-content\/uploads\/sites\/3\/2018\/08\/9936194845_64047b80d4-300x200.jpg 300w, https:\/\/acervo.mixbrasil.org.br\/21\/wp-content\/uploads\/sites\/3\/2018\/08\/9936194845_64047b80d4-60x40.jpg 60w, https:\/\/acervo.mixbrasil.org.br\/21\/wp-content\/uploads\/sites\/3\/2018\/08\/9936194845_64047b80d4-144x95.jpg 144w, https:\/\/acervo.mixbrasil.org.br\/21\/wp-content\/uploads\/sites\/3\/2018\/08\/9936194845_64047b80d4-210x139.jpg 210w, https:\/\/acervo.mixbrasil.org.br\/21\/wp-content\/uploads\/sites\/3\/2018\/08\/9936194845_64047b80d4.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/zO18p8TUgSk\" width=\"500\" height=\"375\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Tatuagem Tatto Brasil\u00a0|\u00a02013\u00a0|\u00a0110 Diretor | Director\u00a0Hilton Lacerda Panorama Nacional Brasil, 1978. A ditadura militar, ainda atuante, mostra sinais de esgotamento. Em um teatro\/cabar\u00e9, localizado na periferia entre duas cidades do Nordeste do Brasil, um grupo de artistas provoca o poder e a moral estabelecida com seus espet\u00e1culos e interfer\u00eancias p\u00fablicas. Liderado por Cl\u00e9cio Wanderley, a &hellip;<\/p>\n","protected":false},"author":3,"featured_media":5100,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[200],"tags":[],"class_list":["post-5099","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-panoramanacional"],"_links":{"self":[{"href":"https:\/\/acervo.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/posts\/5099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/acervo.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/acervo.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/comments?post=5099"}],"version-history":[{"count":1,"href":"https:\/\/acervo.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/posts\/5099\/revisions"}],"predecessor-version":[{"id":5101,"href":"https:\/\/acervo.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/posts\/5099\/revisions\/5101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/media\/5100"}],"wp:attachment":[{"href":"https:\/\/acervo.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/media?parent=5099"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/categories?post=5099"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/acervo.mixbrasil.org.br\/21\/wp-json\/wp\/v2\/tags?post=5099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}